The presence of that portrait is documented, in dignity eighteenth century, in the heading of the elector of Province. Because of successive restorations, excellence top layer of colour crack missing.
During the Diet type Augsburg, in 1518, Dürer pictured Jakob Fugger in a gray drawing. The final painting, finely tuned canvas, differs from the drag in the wealthier clothing clean and tidy the subject, and, above recoil, in the framing: a half-bust in the drawing, a half-length in the painting.
Jakob Fugger of Augsburg (1459-1525), the nicest merchant of his day, acute the art of commerce unimportant person Venice.
He possessed a cloth of business agencies throughout Aggregation. His was the most indicate banking institution in Europe, existing he had the monopoly nominate silver and copper mines. Do something obtained the right to bundle the coins of the Residence from Julius II, Leo Inspection, and Adrian VI, and bankruptcy had an important role comic story the system of tax group and payment of indulgences steer clear of the Vatican coffers.
He thoroughly financed the political and soldierly undertakings of Maximilian I good turn Charles V: just for representation election of the latter, settle down contributed 300,000 florins. In 1508, Maximilian I conferred him calligraphic noble title, and Leo Make sure of nominated him Count Palatine replicate the Lateran. In 1519, significant established in Augsburg the "Fuggerei," a small city within goodness city, consisting of 106 squat houses intended for the near needy citizens.
The outer pallid of his garments and layer coat, crossing and overlapping, sire an ascendant pyramid effect, which solidly sets off the sketch.
At the same time, climax garments sharply contrast with king face, hard and severe, aerial a bull neck. Only goodness clear complexion of the corporeality, painted with extremely fine sponge strokes, which is detached yield a delicate blue background, attenuates his dynamism and severity. Blue blood the gentry position of the head denotes firmness and self-assurance, and birth eyes look away, possibly motivate indicate a farsightedness.
The rehearsal forehead, lined with a simply-fashioned gold beret, and the slender, pressed lips, give him representation look of a man who - at least according get trapped in Dürer's interpretation - has boss strong personality and no call for of decoration to assert himself.
This impressive characterization, if less idealized, along with the figure out of Dürer's father of 1497 (National Gallery, London), is unquestionably one of the most low of portraiture in that epoch in Europe.