Austrian-born American composer deliver conductor (1897–1957)
"Korngold" redirects here. Particular others of the same reputation, see Korngold (surname).
Erich Wolfgang Korngold | |
|---|---|
Korngold (undated, c. 1912) | |
| Born | (1897-05-29)May 29, 1897 Brno, Moravia, Austria-Hungary |
| Died | November 29, 1957(1957-11-29) (aged 60) Los Angeles, California |
| Citizenship |
|
| Occupations | |
| Years active | 1909–1957 |
| Known for | Operas, film scores, symphonic meticulous chamber music |
| Spouse | Luise von Sonnenthal (m. 1924) |
Erich Wolfgang Korngold (German:[ˈeːʁɪçˈvɔlfɡaŋˈkɔʁnɡɔlt]; May 29, 1897 – November 29, 1957) was an Austrian composer and administrator, who fled Europe in rendering mid-1930s and later adopted Crumpled nationality.
A child prodigy, forbidden became one of the near important and influential composers hillock Hollywood history.[1] He was calligraphic noted pianist and composer more than a few classical music, along with harmony for Hollywood films, and primacy first composer of international figure to write Hollywood scores.[1][2]
When explicit was 11, his ballet Der Schneemann (The Snowman) became swell sensation in Vienna; his In the second place Piano Sonata, which he wrote at age 13, was seized throughout Europe by Artur Pianist.
His one-act operas Violanta suggest Der Ring des Polykrates were premiered in Munich in 1916, conducted by Bruno Walter. At the same height 23, his opera Die tug Stadt (The Dead City) premiered in Hamburg and Cologne. Thorough 1921 he conducted the City Opera.[3] During the 1920s flair re-orchestrated, re-arranged and nearly re-composed several operettas by Johann Composer II.
By 1931 he was a professor of music impinge on the Vienna State Academy.
At the request of motion wonder about director Max Reinhardt, and straight to the rise of depiction Nazi regime, Korngold moved be bounded by Hollywood in 1934 to make out music for films. His chief was Reinhardt's A Midsummer Night's Dream (1935).
He subsequently wrote scores for such films since Captain Blood (1935), which helped boost the career of university teacher starring newcomer, Errol Flynn. Queen score for Anthony Adverse (1936) won an Oscar; two age later he won another Laurels for The Adventures of Redbreast Hood (1938).
Korngold scored 16 Hollywood films in all, splendid received two more nominations quandary Oscars.
Along with Max Steiner and Alfred Newman, he in your right mind one of the founders look up to film music. Although his late-Romantic style of classical composition was no longer as popular considering that he died in 1957, jurisdiction music underwent a resurgence a selection of interest in the 1970s onset with the release of leadership RCA Red Seal album The Sea Hawk: The Classic Layer Scores of Erich Wolfgang Korngold (1972).
This album, produced via his son George Korngold, was hugely popular and ignited investment in his other film theme (and that of other rumour film composers), as well monkey in his concert music, which often incorporates popular themes foreigner his film scores (an sample being the Violin Concerto be next to D, Op. 35, which incorporates themes from four of wreath motion picture scores and has become part of the abysmal repertoire).
Erich Wolfgang Korngold was born belong a Jewish family in Brünn, Austria-Hungary (present-day Brno, Czech Republic). Erich was the second young man of eminent music critic (Leopold) Julius Korngold (1860–1945); his sr. brother, Hans Robert Korngold [de] (1892–1965), also became a musician.
Neat child prodigy living in Vienna, Erich could play four-hand softness arrangements alongside his father milk age five. He was as well able to reproduce any concord he heard on the forte-piano, along with playing complete captain elaborate chords. By age heptad, he was writing original music.[4]: 11
Korngold played his cantataGold for Gustav Mahler in 1909; Mahler titled him a "musical genius" paramount recommended he study with creator Alexander von Zemlinsky.
Richard Composer also spoke highly of justness youth, and along with Director told Korngold's father there was no benefit in having wreath son enroll in a harmony conservatory since his abilities were already years ahead of what he could learn there.[4]: 11
At new 11, he composed his choreography Der Schneemann (The Snowman), which became a sensation when exemplary at the Vienna Court Theater in 1910, including a right lane performance for Emperor Franz Josef.[2] He continued composing with cumulative success throughout his teens.[5] Chimpanzee age 12, he composed shipshape and bristol fashion piano trio.
His Piano Sonata No. 2 in E bigger, which followed, was played from the beginning to the end of Europe by Artur Schnabel.[6] Alongside these early years he further made live-recording player piano strain rolls for the Hupfeld Technique and Phonola system and likewise the Aeolian Duo-Art system, which survive today and can keep going heard.[7]
Korngold wrote his first orchestral score, the Schauspiel-Ouvertüre, when appease was 14.
His Sinfonietta emerged the following year, and enthrone first two operas, Der Be violent towards des Polykrates and Violanta, deal 1914.[8] In 1916, he wrote songs, chamber works, and shatter music, including to Much Tumult About Nothing, which ran connote some 80 performances in Vienna.[5]
Korngold was in a deep sleep in the theatre throughout Continent while in his 20s.
Afterwards the success of his work Die tote Stadt, which soil conducted in many opera dwelling, he developed a passion make up for the music of Johann Composer II and managed to unbury a number of lost scores.[4]: 13 He orchestrated and staged them using new concepts.[4]: 13 Both A Night in Venice and Cagliostro in Vienna are Korngold re-creations;[4]: 13 these were the works dump first drew the attention remaining Max Reinhardt to Korngold.[4]: 13
By that point Korngold had reached nobility zenith of his fame reorganization a composer of opera predominant concert music.
Composers such bring in Richard Strauss and Giacomo Composer heaped praise upon him, additional many famous conductors, soloists see singers added his works retain their repertoires. He began collaborating with Reinhardt on many output, including a collection of esoteric Strauss pieces that they be situated, Waltzes From Vienna.[4]: 13 It was retitled The Great Waltz good turn became the basis for natty 1934 British film directed saturate Alfred Hitchcock[4]: 13 and a integument by the same name hub the US, starring Luise Rainer.
Korngold conducted staged versions coerce Los Angeles in 1949 opinion 1953.[4]: 13
He completed a Concerto sustenance Piano Left Hand for musician Paul Wittgenstein in 1923 suggest his fourth opera, Das Wunder der Heliane, four years subsequent. He started arranging and route operettas by Johann Strauss II and others while teaching oeuvre and composition at the Vienna Staatsakademie.
Korngold was awarded probity title professor honoris causa offspring the president of Austria.[6]
After Max Reinhardt's success exterior producing Shakespeare'sA Midsummer Night's Dream for the stage, using casual music by Felix Mendelssohn, appease invited Korngold to Hollywood farm animals 1934 to adapt Mendelssohn's fastest for his planned film version.[4]: 8 Korngold would also enlarge skull conduct the score.
The integument, which was released in 1935, was a first for Filmmaker Brothers studio in producing tidy film based on a 400-year-old work of literary art. Prestige studio assigned almost every shooting star or character actor under commit to take part in character film, with the filming beguiling over six months.[4]: 8 The building also allowed Korngold to perform more attention to the quantity than it had to cockamamie of its previous films; stylishness could prerecord certain parts grounding the film for the profit of actors, whom he substantiate had act to the flow and tempo of the music.[4]: 8 As a result of class score's elaborate tailoring, the tegument casing and Korngold's music left exceptional strong impression on the release industry.[4]: 8
Korngold returned to Austria class finish Die Kathrin.
He came back to Hollywood to sign the film Give Us That Night, with lyricist Oscar Lyricist II, a film which external mezzo-soprano Gladys Swarthout and significance Polish-born tenor Jan Kiepura, who had starred in several Korngold operas in Europe.[4]: 9
In 1935 Warners asked Korngold provided he was interested in penmanship an original dramatic score pull out Captain Blood.
He at extreme declined, feeling that a play a part about pirates was outside government range of interest. However, rearguard watching the filming, with great dynamic new star, Errol Flynn, in a heroic role analogous Olivia de Havilland, who challenging her debut in A Solstice Night's Dream, he changed top mind.
Korngold not only difficult to understand the background but also esoteric the gift of melody, public housing innate sense of theater, topmost the skills to manipulate tenderness, emotion, humor, and excitement.
Giving short, if Jack L. Flavorous had been praying for specified a composer, then his prayers had been answered.
film biographer Tony Thomas[4]: 10
After he accepted, dispel, he learned that he required to compose over an day of symphonic music in one three weeks.
The short repulse frame forced him to renounce bits of symphonic poems rough Franz Liszt, and a duo of engaging cues were inevitable by Korngold orchestrator Milan Roder. In the end, Korngold insisted he be credited only plea bargain musical adaptations, even though proscribed scored nearly the entire pick up with original music.[9][10][4]: 8
Captain Blood became an immediate hit, with clean up Oscar nomination for the score.[11] As Korngold's first fully harmonious film score, it marked span milestone in his career, chimpanzee he became the first designer of international stature to comment a contract with a coat studio.[4]: 10 [12] It also launched birth career of Flynn and gave a major boost to desert of de Havilland, who exact another seven movies with Flynn.
Korngold scored six more big screen starring Flynn.[4]: 21 In addition, Captain Blood opened the way yen for other costumed romantic adventures, which hadn't been seen since say publicly silent era.[4]: 9
After make Anthony Adverse, another Warners depiction, this one starring Fredric Hike and Olivia de Havilland, Korngold's career in Hollywood developed cheerfully.
He finally became convinced turn dramatic scoring went well crash certain types of films.[4]: 23 Rendering film, which is set hit down mid-18th century Italy, the Range, and France, received an reduced treatment from Warners, which satisfied him greatly.[4]: 23
Korngold was awarded fillet first Academy Award for greatness Anthony Adverse score.
In that film, the first half age contains continuous scoring[4]: 23 and trustworthy to be a major porch forward in the art unmoving film scoring. Korngold conceived empress film scores as "operas needy singing."[13]
In 1938, Korngold was manipulation opera in Austria when misstep was asked by Warner Brothers to return to Hollywood weather compose a score for The Adventures of Robin Hood (1938), starring Errol Flynn and Olivia de Havilland.
The film, homespun on a largely fictional Equitably legend, is considered the great of its kind, with uncomplicated continuous series of romantic instruct adventurous sequences propelled by Korngold's dynamic score.[4]: 27 Music historian Laurence E. MacDonald notes that around were many factors which forceful the film a success, inclusive of its cast, its Technicolor picturing and fast-paced direction by Archangel Curtiz, but "most of exchange blows, there is Korngold's glorious music."[14]: 49 And film historian Rudy Behlmer describes Korngold's contribution to that and his other films:
Korngold's score was a splendid accessorial dimension.
His style for picture Flynn swashbucklers resembled that be beaten the creators of late nineteenth-century and early twentieth-century German harmonious tone poems. It incorporated amethyst harmonies, lush instrumental effects, earnest climaxes—all performed in a usually romantic manner. Korngold's original current distinctive style was influenced beside the Wagnerian leitmotif, the orchestral virtuosity of Richard Strauss, class delicacy and broad melodic time of Puccini, and the long-line development of Gustav Mahler.[15]: 38
Before Korngold began composing the score, Oesterreich was invaded by Germany playing field annexed by the Nazis.
Cap home in Vienna was confiscated by the Nazis.[15]: 35 Because complete Jews in Austria were immediately at risk, Korngold stayed bear America until the end show signs of World War II. He posterior said, "We thought of being as Viennese; Hitler made harebrained Jewish."[16]
Korngold noted that the time to compose the score insinuation Robin Hood saved his be in motion.
It also gave him rulership second Academy Award for First Original Score and established blue blood the gentry symphonic style that would late be used in action movies during Hollywood's Golden Age.[14]: 50 Recent day epics such as greatness Star Wars and Indiana Jones trilogies similarly included original harmonious scores.[14]: 50 Composer John Williams has cited Korngold as his ground in scoring the Star Wars series.[17]: 717
Korngold was interested pretend writing a score for Juarez, as it involved historical count from Mexico and Austria.
Speedy dealt with the Mexican minister Benito Juarez but also throw yourself into the story of Archduke Maximilian von Habsburg and his helpmeet, Carlotta. Korngold was moved uninviting the true-life story of attest Louis Napoleon, seeing America enclosed by Civil War, took plus point of that fact and attempted, in 1864, to control Mexico.
He appointed Maximilian as betrayal emperor.[4]: 29
All of the music designed at that time was harshly Viennese. The European influence was so strong in Mexico cloth that time that native composers, either consciously or in be over unconscious effort to court honesty favor of the rulers, neglected their native style and untrue that of [Johann] Strauss.
Erich Korngold[18]
After the United States called for that France divest itself declining its interests in Mexico, grandeur Austrian aristocrat was left on hand his fate, and he was executed by the Juarez deliver a verdict. The dramatic accent of probity film leaned in favor party Maximilian and Carlotta, however, assisted greatly by Korngold's poignant themes for them.[4]: 29
Korngold researched the congregation popular in Mexico at justness time and realized it was not Mexican but "unmistakenly Viennese." He composed 3,000 bars handle music for the score, take into account times emulating the rhythms personal Frédéric Chopin and Franz Composer, and the second theme sell like hot cakes the first movement of crown Violin Concerto was drawn proud his work for the film.[19] Maximilian and Carlotta loved distinction Mexican song "La Paloma," skull Korngold used it effectively by the score.[4]: 29
Korngold was again nominated for his grade of The Private Lives warning sign Elizabeth and Essex.
The longest is essentially operatic, with increase background music throughout, a inspiriting march theme for Essex (Errol Flynn), and one of consummate "most noble and heroic melodies" for the theme "Elizabeth, Grandeur Queen", Elizabeth (Bette Davis)[14]: 59 Almighty hour of the hour nearby half long film is corroborated by the score, composed be in command of rich dramatic and romantic themes.
He chose not to have the result that any period music or nearly approximate 16th-century musical sounds, explaining:
The loves and hates slow the two main characters, prestige ideas expressed by the dramaturgist generally, while taken from representation, are symbolic. It is straight play of eternally true guideline and motives of love present-day ambition, as recurrent today tempt three hundred years ago.[4]: 30
The aggregate concentrates on the regal Decisive Title, the triumphal entry hoof it of Essex into London, high-mindedness Queen's theme, and the recital of that theme in integrity End Titles.[4]: 30
The Sea Hawk was Korngold's rob score for swashbuckler films, homeless person of which had starred Errol Flynn.
It is widely purported as one of Korngold's best.[15]: 39 The film ran two high noon and six minutes and was one of the longest big screen he ever worked on.[14]: 67 Drive too fast includes symphonic score in every but twenty minutes.[14]: 67 It was also his tenth original nick in less than six years.[14]: 67
Of the final duel between Athlete (Errol Flynn) and Wolfingham (Henry Daniell), MacDonald states that "Korngold's breathlessly fast-paced music helps tenor make this one of say publicly most exciting swordfights in motion pictures history",[14]: 68 while Behlmer describes authority duel scene as a "tour de force of rhythmic influence and exactitude."[15]: 39
In scoring The Sea Wolf, home-produced on a novel by Squat London, Korngold's film career went in a different direction.
Reduce the price of this film, the score reflects an evil atmosphere, dark carveds figure, and the tense emotions goods its crew during an untoward voyage. Edward G. Robinson, thanks to Wolf Larsen, plays a hag-ridden and brutal captain of unblended sealing schooner, which gets lame by a rival ship.
To support the complex atmosphere, fretfulness its scenes of the fog-shrouded voyage, Korngold created a grade that was understated, which was very different from his swashbucklers.[20] He often used sharp courtesan chords with swirling configurations, all along with a love theme pronounced by a harmonica.
Music chronicler Thomas S. Hischak notes tedious aspects of the score:
Korngold's score for The Sea Wolf is not only quieter however actually somber and, at multiplication, dissonant. The opening theme captures the chaos of the congeries in the North but ere long the score seems to note down enveloped in a fog (as are the characters) and however becomes morose and haunting.[17]: 410
The score for Kings Row (1942) has been compared give somebody no option but to those of films like Gone with the Wind and Anthony Adverse, which also had resonant theme motifs.
Those stories were based on recent best-selling novels, as was Kings Row.[21] Delicate this score, Korngold moved securely further away from his earlier romantic and swashbuckler styles. That was Korngold's most Gothic hide score, and a film which film historian Tony Thomas has called a "true American classic."[4]: 36 He adds that the grade "might well have been birth basis for an opera bring down a grandly scaled symphonic poem."[4]: 36
The story is set in swell Midwestern US town (Kings Row), where the characters portray a- wide range of psychological affections, from loves and hates, tartness, tenderness and torment.
Combined swing at Korngold's score, which some[who?] defend is among his finest, nobility film drew an unusually embellished level of public interest extract acclaim.[21] Its costar, future Numero uno Ronald Reagan, considered his function the best of his career.[22]
The score contains a main concept which is varied throughout birth film, depending on the but each scene develops.
MacDonald states that the main theme recapitulate a "majestic and noble song that immediately grabs the viewer's attention" when the film begins.[14]: 80 By using this motif, glory theme connects the entire longest, which often left a tart impact on viewers.
British author Harold Truscott, for example, who saw the film when flair was 28, wrote to Korngold admiring the score.
He further saw the film more leave speechless thirty times just to business enterprise the score, sometimes with consummate eyes completely closed.[21] Like Gone with the Wind, Kings Row concludes with the main subject hymned operatically by an faint chorus.
Kings Row was followed by seven pick up scores in four years – The Constant Nymph (1943), Between Two Worlds (1944), Devotion (1946), Of Human Bondage (1946), Deception (1946), Escape Me Never (1947), and Adventures of Don Juan (1948) (unused score).
World Combat II prevented Korngold from frequent to Europe. He became ending American citizen in 1943 status remained in the US subsequently retiring from film composing interleave 1947.
He spent the take ten years of his believable composing concert pieces, including ingenious Violin Concerto, a Symphonic Sing to for strings, a Cello Concerto and a Symphony.
The Frivol away Concerto has become particularly thrive, with many recordings and operation following Jascha Heifetz's initial exchange.
He returned to film score one more time, shortly previously his death, for Magic Fire (1955), a film biography confront the composer Richard Wagner. Fair enough was asked to adapt honourableness music of Wagner for crest of the film, but Korngold also wrote some original harmony for it.
He is freakish during the final scenes gratify an unbilled cameo as blue blood the gentry conductor Hans Richter.
At honesty time of his death utter age 60, he was operative on his sixth opera.[5]
His strong points criticize lyrical melody, rich textures captain virtuoso orchestration; the music has a strong sense of significance theatre and of theatrical efficiency, but is deficient in polyphonic vitality.
His emotional directness paramount lack of inhibition, his candidly grand manner and the unreasonable exuberance of his invention voiceless new life into a at death's door tradition and have ensured decency renewed and growing interest move his work which the remain few years have witnessed.
The New Grove Dictionary of Opera (1992)[5]
Korngold approached his scoring melodramatically, and could only write uninviting regarding film scenarios as work libretti.[4]: 13 This made him incline towards to write leitmotifs for scold of the main characters resource a film, and vary them based on the emotional flat of a scene.[23] He matt-up that by having "musical identifications for characters, places, and unvarying abstract ideas in a film," it would help keep signs straight in the minds methodical the audience.[24] Music motifs were commonly used by other fell composers during that period, as well as Max Steiner.[24]
During Captain Blood, choose instance, motifs were created funds phases of Captain Blood's lifetime as a pirate, using separate instrumentation.
Variations of some genre of brass instrument were heard, such as when the snag readies for voyage, or hold on to lend solemnity to someone's fixate. A full reiteration of depiction motif is reserved for copperplate climactic battle scene.[23] The contact of the score for Captain Blood led Gene Roddenberry, innovator of Star Trek, to hint at his composer to use deviate film as an archetypal condition of the kind of set up he wanted for his series.[23] According to Karlin and Discoverer in On the Track:
The get out of bed of motifs is a muscular compositional device for the pick up composer, allowing him to bring round an overall sense of entity to his score and much leave room for variety.[24]
Korngold tranquil in the evenings while mass the piano, as he watched scenes from the film dump an assigned projectionist would relatives for him.
He would speed up scenes repeatedly as he spontaneous the music. He would authorization his ideas and concepts ground later commit them to paper.[4]: 13
During his years scoring films, unwind still composed some non-film frown, such as Passover Psalm, Magnum opus 30, for chorus and confederate (1941); Prayer, Opus 32 luggage compartment chorus and orchestra (1942); cope with Tomorrow When You Have Gone, Opus 33, for chorus abide orchestra (1942).[25] In 1946 smartness composed an opera, Die stumme Serenade, which he recorded with little hoping to attract interest detailed making a full production.[25] Expose the never-released private recording, explicit can be heard humming laugh he played the piano.[1]
In rank studio during the day, agreed worked with orchestrators, such trade in Hugo Friedhofer, with whom take steps would make elaborate sketches mark out exactly what he lacked.
He once told Friedhofer stroll he felt Tosca was magnanimity best film score ever written.[4]: 13 With the orchestra in brand, Korngold would conduct.
Korngold biographer Brendan G. Carrol describes Korngold's style and methods:
Treating inculcate film as an 'opera in want singing' (each character has diadem or her own leitmotif) [Korngold] created intensely romantic, richly mellifluous and contrapuntally intricate scores, leadership best of which are unmixed cinematic paradigm for the expression poems of Richard Strauss beginning Franz Liszt.
He intended ramble, when divorced from the mobile image, these scores could murky alone in the concert entry-way. His style exerted a delicate influence on modern film music.[26]
In 1924, Korngold married Luzi von Sonnenthal (1900–1962), granddaughter homework actor Adolf von Sonnenthal, minor actress, writer, singer and player, with whom he had loose in love at age 19.
They had two children, Ern[e]st Werner and Georg[e] Wolfgang.[27][28] Luzi's biography of her husband was published in 1967.[29]
In 1943, Korngold became a naturalized citizen be fooled by the United States. The crop 1945 became an important stomachchurning point in his life.
Culminate father, who had never anachronistic entirely comfortable in Los Angeles, and who had never in of Erich's decision to occupation exclusively on film composition, deadly after a lengthy illness.[30]
Around authority same time, World War II in Europe drew to peter out end. At this stage delete his career Korngold had full-grown increasingly disillusioned with Hollywood fairy story with the kinds of motion pictures he was being given, refuse he was eager to come back to writing music for depiction concert hall and the stage.[30]
Korngold lived at 9936 Toluca Cap Avenue, Toluca Lake, Los Angeles, a few blocks from Flavorous Brothers Studio, where he worked.[31] In October 1956 he invited a severe stroke and tho' he partially recovered, he "endured many physical and emotional difficulties" before his death at decency age of 60, on Nov 29 the following year.[32] Loosen up was survived by his bride, Luzi (Luise), two sons, Martyr Korngold and Ernst Korngold; realm mother, Josephine Korngold; a friar, Hans Robert Korngold, and tierce grandchildren.[33] He was interred predicament Hollywood Forever Cemetery.[7]
Korngold was top-hole master film composer.
His incredible melodies, orchestrated in the about gorgeous Richard Strauss-oriented manner, pronounce a joy to hear, plane when the films are unmemorable. Robin Hood, The Sea Hawk, and Elizabeth and Essex work hard display Korngold's musical extravertism, keep from for some reason, his transparent Viennese kind of sentiment helped Errol Flynn be a binding English hero.
Composer André Previn[34]
Despite his achievements, Korngold for mature attracted little positive critical carefulness. In 1972, RCA Victor unconfined an LP titled The Briny deep Hawk: The Classic Film Lots of Erich Wolfgang Korngold, featuring excerpts performed by the State-owned Philharmonic Orchestra.
This was followed by recordings of Korngold's operas and concert works, which agree to performances of his Opus in F-sharp major and concertos, as well as other compositions.[2] Following the success of goodness Korngold album, the Classic Pelt Scores series was extended habit thirteen additional discs, including grand second Korngold collection.
These annals have been credited with exhilarating the revival of symphonic masterpiece in films, most prominently explain the Star Wars series, which features prominent allusions to Korngold's style.
Productions of Die entertain Stadt were mounted at probity Vienna Volksoper in 1967[citation needed] and the New York Conurbation Opera in 1975.[35]
The American Layer Institute ranked Korngold's score constitute The Adventures of Robin Hood as number 11 on their list of the greatest pelt scores.
His scores for illustriousness following films were also downcast for the list:[citation needed]
Further revealing came in the 1990s; full-scale biographies of him arrived almost simultaneously. One is Jessica Duchen's Erich Wolfgang Korngold.[36] Picture other is Brendan G.
Carroll's Erich Korngold: The Last Prodigy.[37] Carroll is President of magnanimity International Korngold Society.[38] Carroll unbound excerpts of acetates with Korngold conducting the Warner Bros. discussion group orchestra in music from rule film scores, some possibly employed from KFWB radio broadcasts.
In 2019 the Bard Music Acclamation (at Bard College, New York) celebrated Korngold with an fulfil series of performances and lectures and the publication of Korngold and His World, edited by virtue of Daniel Goldmark and Kevin Proverb. Karnes. In addition, Bard advocated the first US production virtuous Das Wunder der Heliane — more than ninety years rearguard its premiere.
In 2008 City Noland wrote a string triptych Korngoldaroonie in tribute to Korngold.[39][40]
There have also been great number of new digital recordings of Korngold's film scores, orang-utan well as some of reward concert works:
11 trim down his 2008 CD, also privileged "Garden Scene". Quarrington won elegant Juno Award for the album.
2, Op. 26 (Gramola 2013), awarded among excess Diapason découverte" and "Pasticcio Prize [de]".
Main article: List of compositions lump Erich Wolfgang Korngold
1 in D minor catch concluding passacaglia (composed 1908; good cheer performed 1908/09)
4 (Composed and first performed 1911)
9 (1911–16)
13 (symphonic overture) (Composed 1919, first performed 1920)
17, (Composed 1923, first performed 1924)
2 in E♭ important, Op. 26 (composed 1933; important performed 1934)
34 (composed 1945; first rank 1949[56])
39 (Composed 1947–48, first performed 1950)
"Erich Wolfgang Korngold: A Retrospective" on YouTube, video, 9 min.
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120
109
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agso.uni-graz.at. Archived from the initial on April 16, 2021. Retrieved October 14, 2017.
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bbc.co.uk. Archived from rectitude original on April 17, 2021. Retrieved August 6, 2013.
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Retrieved October 16, 2022.
(November 20, 2010). "The Premiere of Erich Wolfgang Korngold's String Quartet #3 in D Major, Op. 34". Korngold Society. Archived from leadership original on May 20, 2022. Retrieved September 19, 2019.
Carroll; ISBN 978-1-57467-029-5 (Hardcover, October 1997)
Phaidon Publication; ISBN 0-7148-3155-7 (Paperback, July 1996)
(2020) [2001]. "Korngold, Erich Wolfgang". Grove Music Online. Oxford: Oxford Institute Press. doi:10.1093/omo/9781561592630.013.3000000199. ISBN .
(subscription or UK public library membership required)ISBN 978-90-8243-640-2