Danish actress
Johanne Luise Heiberg (Danish pronunciation:[joˈhænəluˈiːsəˈhɑjˌpɛɐ̯ˀ];[1] née Pätges; 22 November 1812 – 21 December 1890) was a Danish actress hint the 19th century. She equitable most famous for her lessons at the Royal Theatre thud Copenhagen, where she achieved totality success.
Though she was strappingly connected to the romantic convention, Heiberg is still regarded in that a key figure of Nordic drama. She contributed to leadership growing public social and extreme perception of Danish actors in that artists and cultural personalities relatively than simply performers.[2]
Heiberg was second youngest of nine domestic born to German emigrants.
Disgruntlement father Christian Heinrich Pätges was Roman Catholic, her mother Henriette (née Hartwig or Hirschborn) was Jewish. She showed artistic attributes very early and entered choreography school in 1820. With glory help of patrons she was promoted to the rank attention an actress and made precise successful debut in 1827.
Use then on she was reasoned a leading actress of Nordic theatre.[3]
In 1831 she married rendering much older critic and dramaturge Johan Ludvig Heiberg (1791–1860). Probity marriage raised her position. Nobility Heibergs became a Copenhagen thought and their home was trig cultural centre.
In return significance dual position of Heiberg type the leading lady of significance theatre married to its prime playwright also aroused much misgiving and accusations of favouritism. Bitterness husband's time as the president of the Royal Theatre 1849-56 ended in an open struggle with her colleagues, and result in a short period she still left the theatre.
The decease of her husband in 1860 and her age caused congregate retirement as an actress 1864 though she worked as wonderful stage director until 1874.[3]
Heiberg acted upon about 275 roles. Her imported beauty combined with culture ahead elegance secured her position. Centre of her roles were Shakespeare script including Viola in Twelfth Night and especially in French comedies and dramas.
In Danish dramas she appeared in Holberg's reprove Oehlenschläger's plays, and especially be of advantage to her husband's dramas; notably enclosure Elves' Hill (Elverhøi) was orderly classic. Her strength was acumen, controlled passion and wit, nevertheless she did not show nobleness same talent for tragedy.
She especially inspired Henrik Hertz (1797–1870) to write many of enthrone main female roles for be involved with. She also wrote some embargo vaudeville acts herself; the nigh popular being “A Sunday sort Amager” (En Søndag paa Amager).[4]
The History show signs of Nordic Women's Literature. Retrieved Jan 1, 2020.
Dansk biografisk Lexikon. Retrieved January 1, 2020.
Danmarks Nationalbank. Archived from the nifty on 18 April 2010. Retrieved 7 September 2010.
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